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文献出处：V aliani A. A Brief Analysis to the Interior Design of Shallow Women Adornment Style [J]. Journal of Hydraulic Engineering, 2010, 1(3):10-16.
英文原文
情人节 英语A Brief Analysis to the Interior Design of Shallow Women Adornment
katie cassidyStyle
V aliani A
Florin Steinheimer, a famous female artist in the United States, once pasd her favorite home surrounded by flowers and flowers and flowers in her painting “Family Portrait No. 2”. The woman “occupies the entire visual center in a cutting manner.” Ever ything is as described in her poem “V erone's green lace tights, dark patterned long skirts and knit frills, silk jewellery boxes Filled with strings of Roman pearls; very favorite light-washed silk curtains, ribbons with light Roman stripes, carp
ets full of bouquets, Sevres porcelain vas and gilded-edged tables sprinkled with the morning light; mother The fairy tales that we read, the blooming gardens and the desrts of Maillard and Walt Disney's cartoons, "" In the words, the jumping details and the purely nsory cognitive features interpret women's perceptual experience characteristics. The flowers, fabrics, furnishings, and fairy tales that are described are the most gentle
and sweetest expectations of women for the family. All the are the most perfect interpretations of women's decorative styles.
Throughout the ages, due to the special physiological instincts of women, the female-style decorative art has always occupied a large market space in history, especially the Baroque art with strong feminine characteristics developed in the Italian Renaissance in the 17th to 18th centuries. The decorative style is even more popular and affects the whole of Europe. The influence of its artistic language is cloly related to the emergence and development of the Art Nouveau movement. However, as a hobby and fashion style, the Baroque is also limited to the luxury of the palace and the elegant residence of the noble hou decoration, the concept of decorative style is limited, and thus deviated from the connotation of the female decorative style.
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Today, with the rapid development of social economy, the status of women has reached a relatively reasonable height due to the improvement of their education and income levels. A new world of female discour is being fully constructed. Just as the anthropologist Helen Fesch believes, women in the 21st century will be "primary." Due to their intervention, they directly or indirectly influenced the modern aesthetic consciousness and consumption concept. A unique consumer culture reprented by women and aesthetic thoughts are submerged in fashion consumption. This is what we call the “she” era of female consumer culture. According
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to Kapoor, president of the International Advertising Association, the interpretation of th e “her” era is: “Today, male-dominated consumerism is focusing on women. The balance of consumerism: "The design of women's consciousness has also become more and more dominant, and some scholars have even ud women's design consciousness as an embodiment of humanistic design. The “her” era of prophecy has arrived.
puppet是什么意思一、The scientific nature of female decorative style
The feminine cultural phenomenon that has emerged in interior design is not lf-respecting and well-respected for women's equal pursuit. There are more objective factors here. Foreign scientists h
ave found through tests that women’s body organ structure is more complex than men’s, resulting in the development of women’s autonomic nervous system. Women’s n of touch, taste, visual and auditory respons are mostly more nsitive than men, and emotional expression is more pronounced. exquisite. According to a survey report, for many reasons, women nowadays are more discriminating and resolute than men in regards to architecture, indoor space and decorative arts. They are more active and asrtive in their attitudes toward demand. At the same time, compared with the analysis of psychological characteristics, men are extroverted, women are more subtle, men are public, women are private, men are rational, women are delicate, men are strong, women are feminine, and men are Social, while women are more natural. The vision
to determine the home improvement style can create a harmonious family environment. Under the influence of this actual demand, the female style came into being.equipment可数吗
二、The performance of female decoration design in interior decoration
"Women's heart, a needles" is a very familiar old saying. Actually, women's behavior and their physiological structure are mutually indicative and have certain commonalities and regularities. Through the analysis of women's physical, psychological, and social and historical reasons, it is not
difficult to discover that the following aspects have a profound influence on the style of women's decoration.
1. Sensitive and changeable factors in female physiology
From the point of view of physiological psychology, the periodic reproductive cycle in which the physiological balance of women changes constantly makes them stronger than obrvation and feels keen but they are not good at maintaining long-term energy concentration and emotional stability. The are not women's subjective choices but their inherent characteristics. Therefore, becau of their problems in life or aesthetic fatigue, they often change their emotions and vent to the surrounding things. They are constantly changing their old-fashioned exchanges and room furnishings. This kind of characteristic determines that the popular traditional fixed solid wood furniture is gradually eliminated as the main part of the decoration. The movable type, portable
furniture and easy-replaceable soft decorative materials will become the mainstream of the design.
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2. The mystical tendencies of women
Starting from the origin of human beings, regardless of being worshipped or oppresd, women e
m to be inextricably linked to religious sorcerers. There is no doubt that women are more superstitious than men, and that women have to look for psychological stability and persistence becau of their long-term weakness. The clo relationship between women and nature makes them more able to comprehend the mystery of the indescribable, and the perceptual precedes the rational way of thinking to make them more willing to understand all the mysteries with "heart" instead of "brain". As a result, they are vulnerable to theological and religious influences. Aside from the conclusion of theoretical rearch, we can easily find out in real life. Women are more willing to delve into constellations, value feng shui, and believe in fate. Therefore, in the interior design, it goes without saying that they prefer to adopt religious images or natural decorative decorations (Figure 3), and are also very happy to accept advice on Najib's avoidance. The are the manifestations of their desire for a stable and happy life.
3．women's physical health needs
In this era of stressing the quality of life. Health is becoming a topic that people are paying more and more attention to. Becau women's
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