天津外国语大学
应用外语教学中心英语双学位
英语阅读课学期论文
中文题目:《宠儿》中美国黑人奴隶的生存
英文题目:TheSurvivalOfAfricanAmerican
SlavesinBeloved
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1
摘要
《宠儿》(1987)是普利策奖得主托妮·莫里森的小说,一直被视为一部美国文学经典。
《宠儿》说的是一个看似荒唐诡异的残暴故事:黑人女奴塞丝在逃跑的过程中亲手扼杀了自
己的女儿,为了不让她继续奴隶悲惨的命运。十几年后,鬼婴还魂前来阳间索债。《宠儿》
的基调是苦的。它像黑人音乐一样根植于悲伤。
在《宠儿》中,通过三代人不同的成长经历展现了处于弱势地位的黑人妇女在种族主义
和性别主义的双重压迫下艰难的心路历程。莫里森用她独特的视角讲述黑人妇女真实的处境,
使人们可以强烈深刻地感受到黑人妇女的痛苦经历。
关键词:托尼•莫里森;《宠儿》;奴隶制;创伤;反抗;生存
2
Abstract
Beloved(1987)een
dtellsabrutalstoryemsabsurd
omanSethethrottledhisdaughterinthewayofescape,fornotletting
rslater,theghostoftheinfant
esameasblackmusic
whichisrootedinsorrow.
ThroughBeloved,ToniMorrisonshowsthedifficultprocessofgrowthofthree
generationsoftheblackwomenwhoareinaweakpositionandinbothracistand
on,withheruniqueperspective,tellsabouttherealsituation
ofblackwomensothatpeoplecanfeelthepainfulexperiencesofblackwomen
stronglyanddeeply.
KeyWords:ToniMorrison;Beloved;Slavery;Trauma;Resistance;
Survival
3
Introduction
InFebruary18,1931,ToniMorrisonwasborninCleveland,Ohio,nearthetown
heeditorofTheBlackBook,
1989,she
n
1993,the62-year-oldMorrisonwontheNobel
PrizeforLiterature.
ToniMorrisonistheonlyAfro-AmericanwomanwriterwhowinstheNobelPrize
irmsherrenownandmakesheroneofthemostinfluentialwriters
ongstothatera'sbestwritersandisoneofthemost
elis
famousfordistinctiveimages,khasalways
eBluestEyetoLove,
ea
fictionsofToniMorrison,thereisadistinctandeternalthemewhichcanbefeltand
touchedclearly:thetragiclifeoftheblackpeopleandtheconflictbetweenthewhite
hAcademy‘valuationonher:"Thenovelgives
theUnitedStatesaveryimportantaspectoftherealdynamicwithrichimagination
dwasrecognizedasMorrison'2006,it
wasregardedasthebestAmericannovelinrecent25yearsby"NewYorkTimes".
eblackslavewaspregnant,she
ter
rnotletherchildrenrepeattheirtragicfateof
slaves,sheresolutelykilledhisyoungdaughterBelovedwhocouldjustcrawl.18
yearslater,BelovedresurrectedbacktoearthandlivedwithSethe,Sethe‘sdaughter
DanFuandtheloverofPaul•notonlyobtainedextraloveofhermother
butalsohadluredPaul•anythingtodisruptanddestroythemother'slife.
tusofblackshadbeen
deniedthemeventherighttobecomeGod'r,theydon‘tbreakand
4
don‘yand
freedom,confinementandescape,thisisallblacks‘fatesinceslaveryandracial
dalso
reflectsthistheme.
In1998thenovelwasadaptedintoafilmofthesamenamestarringOprah
lysandstudiesofBelovedinpreviousyearsmainlyfocusonthe
analysisofthetheme,
generationmakesitsownopinionsconcerningwhatthenovelisandwhatitoffers.
MypaperillustratesSethe‘srebellionagainsttheslaveryfromdifferentaspectsin
eethepercutionofslaveryontheirlivesandtheirstruggling
ronediscussblackslaves‘
rtworearchesthetwistedmotherlylove.
Chapterthreeanalyzesrebellionagainsttheslavery.
ChapterOnePsychologicalImpactofSlavery
Inthenovelwecanetheslaves‘,oneoftheslavesfrom
SweetHome,theplantationwhereBabySuggs,Sethe,Halle,he,andmanyother
slaveshadworkedinandeitherbeenfreedorrunawayfrom,s
triestomakethefamilymove
forwardintimeandleavethepastbehind.
Becauofthepainfulnatureoftheexperiencesofslavery,mostslaves
pression
anddissociationfromthepastcausafragmentationofthelfandalossoftrue
,verallexperiencethislossoflf,whichcouldonly
beremediedbytheacceptanceofthepastandthememoryoftheiroriginalidentities.
InawayBelovedrvestoopenthecharactersuptotheirrepresdmemories,
ysplitsapersonintoa
ntity,consistingofpainfulmemoriesandunspeakablepast,
deniedandkeptatbay,becomesa‗lfthatisnolf.‘Tohealandhumanize,one
mustconstituteitinalanguage,reorganizethepainfuleventsandretellthepainful
5
ultofsuffering,the‗lf‘,subjecttoaviolentpracticeofmaking
andunmaking,,PaulD,and
BabySuggswhoallfallshortofsuchrealization,areunableto‗remake‘their‗lves‘
'lf'islocatedinaword,definedbyothers.
Thepowerliesintheaudience,ormoreprecily,intheword-oncetheword
changes,hecharactersinBelovedfacethechallengeofan
unmade'lf',compodoftheir'memories'anddefinedbyperceptionsandlanguage.
Thebarrierthatkeepsthemfrom'remaking'ofthe'lf'isthedesireforan
'uncomplicatedpast'andthefearthatrememberingwillleadthemto'aplacethey
couldn'tgetbackfrom'.
ChapterTwoTwistedMotherlyLove
InBeloved,Sethehastokillherdaughter,andundoubtedlythat‘ecuts
thebaby‘sthroat,
moment,Sethehasalreadybeguntofindsomewaystogetlibertyanddetermineherchildren‘s
cesherlftobethemurderofherdaughterundertheslaveryalthoughshe
estothisworldatawrongtime,andiskilledby
ecomesback,ndoftheBeloved,Morrison
writes:
Everybodyknewwhatshewascalled,butnobodyanywhereknewhername.
Disrememberedandunaccountedfor,shecannotbelostbecaunooneislookingfor
her,andeveniftheywere,howcantheycallheriftheyknowhername?Although
shehasclaim,lacewherelonggrassopens,thegirlwho
waitedtobelovedandcryshameeruptsintoherparateparts,tomakeiteasyforthe
chewinglaughtertoswallowherallaway.(Morrison274)
InSethe‘smind,ldstronglyfeelherrights
adeeperunderstandingofslaves‘lifewithherownpainful
rtoprotectherchildren,her,she
don‘ythingshewantstodoistoendthe
6
baby‘ginningtotheend,shethinksit‘ulD,herboyfriend,knows
thetruthofthefactsaboutSethe‘skillingmatter,heaccusher―Yourloveistoothick‖.Butshe
answers,―Loveisoritain‘veain‘tloveatall.‖(Morrison164)Here,anationalitywhich
haslosttheirwordsforalongtimefinditsownsoundsandcharactersfromawoman.
ThematernalbondsthatconnectSethetoherchildreninhibitherown
evelopsadangerous
maternalpassionthatresultsinthemurderofonedaughter,herown―bestlf,‖and
theestrangementofthesurvivingdaughterfromtheblackcommunity,bothinan
attempttosalvageher―fantasyofthefuture,‖herchildren,fromalifeinslavery.
However,SethefailstorecognizeherdaughterDenver‘sneedforinteractionwiththis
finallysucceedsattheendof
thenovelinestablishingherownlfandembarkingonherindividuationwiththe
rytoDenver,Setheonlyreachesindividuationafter
Beloved‘xorcism,atwhichpointSethecanfullyacceptthefirstrelationshipthatis
completely―forher,‖lationshiprelievesSethe
fromtheensuingdestructionofherlfthatresultedfromthematernalbonds
dandSethearebothverymuchemotionallyimpairedasa
resultofSethe‘ycreatesasituationwhereamotheris
paratedfromherchild,,
mothersdonotknowthemlvestobeanythingexceptamother,sowhentheyare
unabletoprovidematernalcarefortheirchildren,ortheirchildrenaretakenaway
fromthem,rly,whenachildisparatedfromhis
orhermother,heorshelosthefamilialidentityassociatedwithmother-child
asneverabletoehermother‘strueface(becauhersmile
wasdistortedfromhavingspenttoomuchtime―withthebit‖)soshewasn‘tableto
connectwithherownmother,andthereforedoesnotknowhowtoconnecttoherown
children,rmore,theearliestneedachildhasis
relatedtothemother:straumatizedby
theexperienceofhavinghermilkstolenbecauitmeansshecannotformthe
symbolicbondbetweenherlfandherdaughter.
7
ChapterThreeRebellionAgainsttheSlavery
Morrisonchoosthe124houonBluestoneRoadinCincinnatiasthesceneof
ghitwas18yearsagowhensheescapedfromthe
tillastrongmemoryinSethe‘smind.
ThereisamottoofIrishRevolution–―Youshouldsallyoutbyyourlfifyouwant
liberty‖(詹妮特467)—that‘ckwomen
o,peoplealwayssay
thatwherethereisoppression,ckwomen‘ssituationisbad,
emakingunremittingeffortstofindtheirways
‘eoftheslavery,grandma
BabySuggswasdeprivedofrightstobetheothers‘friend,daughter,wife,mother
andsoon,andshehadvenchildren,butwasallowedonlytoleaveherlittleson
hattime,thechildren
oftheslavemothersdon‘tbelongtothem;allofthemaretheprivatepropertyofthe
slaveowner,andlikethetoolsofworkers,theyaretreatedequaltothelivestock.
BabySuggshatestheWhitesverymuchandshehopesthereisaclearplaceleftfor
ntheWhitesbreakintotheyard,shecandonothing,butjustacceptit,
shehasbeenransomed,shehasno
hegetsfreedom,sherealizesthatiftheBlackswanttoget
liberty,theyshouldknowtheirownvalue,,inthe
woods,sheappealshercompatriotsforlovingthemlves:
Loveyourhands!thers
withthem,patthemtogether,strokethemonyoursface‘cautheydon‘t
toloveit,you!Andallyourinsidepartsthat
they‘djustassoonslopforhogs,k,
dark—loveit,loveit,andthebeatandbeatingheart,
an
8
yourlife-holdingwombandyourlife-givingprivateparts,hearmenow,
sistheprize.(Morrison89)
Infact,thegetstoknow
thattheschoolteacherandhisnephewsaredoingrearchaboutblackslavesandput
Sethe‘s―humancharacteristicsontheleft;heranimalonesontheright,‖(Morrison
193)Sheisshockedandswearsthatshewouldneverallowherchild‘scharacteristics
tobeputontheanimal‘,whenherhusbandHalleandSixo‘sfirstescape
planfails,n,
Sethe‘ekills
herdaughter,ansthataslave
tedly,sheushercourageandstrengthto
eschoolteacheriscoming,Sethedecidestokillher
ecutsthebaby‘sthroat,she
moment,Sethe
hasalreadybeguntofindsomewaystogetlibertyanddetermineherchildren‘s
destinyherlf.
AndforDenver,attheendoftheBeloved,shefinallyrealizestheonlywayto
protecthermotheris―Shewouldhavetoleavetheyard,stepofftheedgeoftheworld,
leavethetwobehindandgoasksomebodyforhelp‖(Morrison243)―Knowit,andgo
.‖(Morrison244)Withtheencouragementofherpasd
grandma,Denverfinallyhasthecouragetogoouttheyard,andfoundherfirstjob,
thenthecond,ulDwantstoexpresshisopinionabout
Beloved,shestopshim,―Ihavemyown.‖(Morrison267)Denvergoesoutoftheyard
withlf-confidence,sheknowswhosheis,andfinallyshehasfoundheridentity.
Conclusion
ThroughBeloved,ToniMorrisonshowstheprocessofgrowthofthree
9
generationrealizedtheirmiries,butthey
donotknowhowtochangethesituation,sotheyjustacceptthem;thecond
generationisunwillingtobeoppresd,ndof
thefiction,thethirdgenerationfinallyfindstheirownidentity,andthenbeginsto
buildupabetterfuture.
However,theydonotandwillnotstoptheirresistanceifthereisstillunequal
fetosaythattherevolutionoftheblackwomenis
likea―glassceiling‖.Theycanetheirprospectclearlybuttheystillhavea
ately,theygraduallygrowup
,the
blackwomenhavegreatstrengthandarefullofhope,andtheyarefollowingtheway
ofBabySuggs,Sethe,andDenver,andmakingtheirfuturemorewonderful.
athehadadreamthathischildrenwould
notbejudgedbythecoloroftheirskinbutthecontentoftheircharacter,itwas
understoodthatequalrightsforAfrican-AmericanswouldbegoodforallAmericans.
Likewi,whentheblackwomenhaveequalrightswithothersandwhenlaws
supportthepracticeofthatequality,peoplewillliveinabetterAmerica,andalsoina
,undoubtedly,thereasonwhyToniMorrisondeliberately
demonstratesthetragedyandgrowthoftheblackwomenthroughthestoryofBeloved.
10
WorksCited
1.―WhatIstheBestWorkofAmericanFictionoftheLast25Years?‖The
21,2006.
2.韩昱馨.《宠儿》中塞丝重获自我的实现[J].佳木斯大学社会科学学报,2006.
3.屈婉玲.黑人女性的凝聚力[J].四川外国语学院学报,2005.
4.王守仁,吴新云.性别•种族•文化―托尼•莫里森与二十世纪美国黑人文学
[M].北京:北京大学出版社,1999.
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