英美文学

英美文学

B41．TheEnglishRenaissanceperiodwasanageof

ndnovel.

eandpoetry.

espeare’sMerchantofVenice，Antoniocouldnotpaybackthemoneyhe

borrowedfromShy-

lock，becau

eywasallinvestedinthenewly-emergingtextileindustry.

erpriwentbankrupt.

iowasabletopayhisowndebt.

pshadallbeenlost.

43．InEnglishpoetry，afour-linestanzaiscalled

ima.

18thcenturywitnesdanewliteraryform-themodernEnglishnovel，which，

contrarytothe

medievalromance，givesa＿prentationoflifeofthecommonpeople.

stic

45．Asawhole，＿isoneofthemosteffectiveanddevastatingcriticismsandsatires

ofallaspects

inthethenEnglishandEuropeanlife-socially，politically，religiously，

philosophically，scientifi-cally，andmorally.

er’sTravels

m’oolforScandal

fthefollowingworksbestreprentsthenationalspiritofthe18th-century

England?

er’sTravels

mentaljourney

47．Shelley’smasterpiece，PrometheusUnbound，isaverdrama，whichborrows

thebasicstoryfrom

nlegend

usandandOneNights

irstpartofthenovelPrideandPrejudice，asa（n)＿ofthe

Bennetfamily.

ousview

n’spoem“SongfortheLuddites，”theword“Luddite"referstothe

swhodestroyedthemachinesintheirprotestagainstunemployment.

bourgeoisiewhofightsagainstthearistocraticclass.

dentsoftheancientking，Lud.

untrypeoplewhosufferedundertheruleofthelandlordclass.

erinDavidCopperfieldandSamWellinPickwickPaper'sareperhaps

thebest＿characterscreatedbyCharlesDickens.

ticated

B51．AtypicalForsyte，accordingtoJohnGalsworthy，isamanwithastrongn

of＿，whoneverpaysanyattentiontohumanfeelings.

ty

C52．Linguistically，comparedwiththewritingsofMarkTwain，HenryJames’sfiction

isnotedforhis

lloquialism.

delegantlanguage.

A53．WhichofthefollowingstatementsaboutWashingtonIrvingisNOTtrue?

ryimaginationshouldbreedinalandrichinthepastculture.

eoccupiedwiththeCalvinisticviewoforiginalsinandthemysteryofevil.

riesareamongthebestoftheAmericanliterature.

hisworksarebadonthematerialsoftheEuropeanlegendarytales.

D54．WhichofthefollowingisNOToneofthemainideasadvocatedbyEmerson，the

chiefspokesmanofNewEnglandTranscendentalism?

dividual，manisdivineandcandevelopandimprovehimlfinfinitely.

exercisahealthyandrestorativeinfluenceonhumanbeings.

xistsanemotionalcommunicationbetweenanindividualsoulandthe

universal“Over-soul.”

dsinareeverprentinhumanheartandwillpassonfromonegeneration

to“another.”

B55．Whitman’spoemsarecharacterizedbyallthefollowingfeaturesEXCEPT

eandnaturalrhythm.

pleandconversationallanguage.

fthefollowingworksbestillustratestheCalvinisticviewoforiginalsing

’sUncleTon’，’sThePortraitofaLady.

way’rne’sTheScarletLetter.

57．Besidesymbolism，allthefollowingqualitiesEXCEPT＿arefudtomake

Melville’sMoby-Dickaworldclassic．

logicalanalysis

sticviewoflife

C58．TheraftwithwhichHuckandJimmaketheirvoyagedowntheMississippiRiver

maysymbolizeallthefollowingEXCEPT

ntonature.

pefromevils，injustices，andcorruptionofthecivilizedsociety.

ricansocietyintheearly19thcentury.

worldwherepeopleofdifferentcolorscanlivefriendlyandhappily.

D59．EmilyGrierson，theprotagonistinFaulkner’sstory“ARoforEmily，”canbe

regardedasasymbolforallthefollowingqualitiesEXCEPT

deasofsocialstatus.

yandinte护ty.

ernistpoet，Poundisnotedforhisactiveinvolvementinthe

tMovement.

Expressionism.

61．Thestatementthataboy’snightjourneytoanIndianvillagetowitnesstheviolence

ofbothbirthanddeathprovidesallthepossibilitiesofalearningexperiencemaywellsum

upthemajorthemeof

er’sstory“ARoforEmily"

way’sstory“IndianCamp"．

’sstory“TheLegendofSleepyHollow"．

’sstory“DaisyMiller"．

fthefollowingplaysby0’Neillcanbereadautobiographically?

erorJones

y’sJourneyIntoNight

63．AccordingtoMarkTwain，inrivertownsupanddowntheMississippi，itwavery

boy’sdreamto

somedaygrowuptobe

ceofthepeace.

eontheIndianocean.

64．LiteratureofNeoclassicismisdifferentfromthatofRomanticisminthat

mercelebratesreason，rationality，orderandinstructionwhilethelatteres

literatureasanexpressionofanindividual’sfeelingandexperiences.

merisheavilyreligiousbutthelattercular.

merisanintellectualmovementthepurpoofwhichistoarouthemiddle

classforpoliticalrightswhilethelatterisconcernedwiththepersonalcultivation.

meradvocatesthe“returntonature"whereasthelatterturnstotheancient

GreekandRomanwritersforitsmodels.

65.“Surface"，“Sneerwell"，“Backbite"，and“Candour"aremostlikelythenamesofthe

charactersin

’sMrsWarren’sProfession

an’sTheSchoolforScandal

peare’sLove’sLabour’sLost

opherMarlowe’s

theD’Urbervilles，oneofThomasHardy’sbestknown一novels，portrays

manas

ereditarilyeithergoodorbad.

elf-sufficient.

nocontroloverhisownfate.

etaininghisownfaithinaworldofconfusion.

67．WhichofthefollowingbringsLITTLEimpactonthedevelopmentof20thcentury

literature？

ichNietzche’sasrtions：“Godisdead"

Schopenharuer’sandHenryBergson’sphilosophicalideasofirrationality.

C．OscarWilde’sideaof“ArtforArt’sSake"．

an-Jungianpsycho-analysis

68．Thetermtoneinliteraturemeans

ffectsuchasrhymeandmetricaldevice.

chofawordudtodetermineitsmeaninginthegivencontext.

nerofexpressiontoindicatethespeaker’sattitudetowardsthesubject.

ofcolourtoreflectthechangeofthelight.

69．JamesJoyceistheauthorofallthefollowingnovelxcept

eObscure.

s.

erhapssummarizethatWaltWhitman’spoemsarecharacterizedbyallthe

followingfeaturexceptthattheyare

landwell一structured.

C．-flowing.

71．Whoexertsthesinglemostimportantinfluenceonliterarynaturalism，ofwhich

TheodoreDreirandJackLondonareamongthebestreprentativewriters

n

72．MarkTwain，oneofthegreatest19thcenturyAmericanwriters，iswellknownforhis

ism.

73．TheperiodbeforetheAmericanCivilWariscommonlyreferredtoas

listicPeriod.C．ern

Period.

74．MostofHermanMelville’snovelsarebadonavoyagesandaadventures.

Whichofthefollowingisnottheca?

fidence-Man

75．InHenryJames’DaisyMiller，theauthortriestoportraytheyoungwomanasan

embodimentof

espiritoftheNewWorld.

ruptionofthenewlyrich.

fthefollowingisnotaworkofNathanielHawthorne’s?

thedaleRomance.

acket.

C77．Besidessketches，talesandessays，WashingtonIrvingalsopublishedabookon＿

＿，whichis

alsoconsideredanimportantpartofhiscreativewriting.

theoryB．Frenchart

GeorgeWashington

A78．InFitzgerald’sTheGreatGatsby，

purpoofsuchdescriptionsissoshow

ruptionoftheupperclass.

pydaysoftheJazzAge.

79．InAmericanliterature，escapingfromthesocietyandreturningtonatureisacommon

lowingtitlesareallrelated，inonewayoranother，tothesubjectexcept

ain’sTheAdventuresofHuckleberryFinn.

r’sSisterCarrie.

’sLeather-StockingTales.

u’sWalden.

fthe

followingisnotausualsubjectofherpoeticexpression?

ddeath.

peace.l鬓蒸NB

薰黝篡默一DDBDs1BCADB熟奎56----怨CDB76--80DCAHD

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