Abstract
Abstract:Thispaperisanappreciationofthefilm,thetrumen
show,t-modern
yandnon-realityarenottwo
originalityofTheTrumanShowisaffectedbythepost-modernview
ldwhereTrumanlivedisavirtualworldwhich
r,itistheepitomeorsimulacrumofthe
rumanShowisthe
ectsthe
socialpsychologyconfusioninthis"post-industrial"erathatisthe
problemofsimulationmakesthemodernpeoplemoreconfud
aboutreality.
Keywords:postmodernism;reality;hyper-reality;TheTruman
Show
uction
-modernism&hyper-reality
Hyper-realityisoneofthecoreconceptsinthelateJean
Baudrillard(Frenchsociologist,1929—)’-reality
llard
emporary
Westernsociety,theboundarybetweenrealityandfancy,realand
fakeisdisappearing,orimplosion,
wholeworldiscompodofthesimulacrumofthemodels,which
weusuallyconsideras“real”.Atthesametime,people’sfeeling
aboutrealityandthefoundationof“whatisreal”isdisappearing,
too.
llardcho
theword“hyper-real”,meansthatitismorerealthanthereal,a
“reality”thatnotreallyexistsbutcreatedbypublicmedia.
Sofromtheviewofpostmodernists,theworldisalreadynotan
hingishyper-real,and“real”isjustaconcept
aimingatlf-comforting.
1.2Aboutthetrumenshow
TheTrumanShowisa1998Americansatiricalcomedy-drama
filmchroniclesthelifeofamanwhoisinitiallyunawarethatheis
livinginaconstructedrealitytelevisionshow,broadcast
24-hours-a-daytobillionsofpeopleacrosstheglobefornearly30
edayTrumanbecomessuspiciousofhisperceived
realityandembarksonaquesttodiscoverthetruthabouthislife.
Finallyhemakesitandwalksoutofhisman-madelife.
er-realityintheshow
2.1AboutTrumenandhislife
Accordingtotheplotsofthefilm,trumenfinallywalksoutof
eventuallygetstothe“real”pointweshouldrethink
isthat,the“real”worldTrumenfinallyenteredismorerealoritis
justasthedirectorsaid,“thesamelieandsham”?
InTrumen’s30yearslife,fromthedayhewasborn,everything
es,streets,buildings,thea,the
sunandmoon,theneighbors,hisfriends,evenhiswifeandfamilies,
allthearefakeandarrangedbyagreattelevisionshowdirector,
andTrumen’slifeisa“realmen”anwhodoesn’t
knowthetruth,nhe
finallyfigureoutwhathefaces,hislifeisallhyper-reality,forthe
hat?Let
memakeitclearer.
Ina-heaven,Trumanisanordinarymanwhocouldbeanyone
hisownpersonalitiesandthoughts;
afamily,ajob,friends,
aymorning,hegetsupearlytogotoworkandsay
isfeelingdown,hewill
experiencehehasbeenthroughcanbeeneninanormalsociety.
SothisworldisrealtoTrumanwhonevergetsachancetoknowthe
hasmanyquestions
abouthislife,an
feelshisworldasarealworldbutdohassomethingabnormal.
However,whenTrumanfindsoutthatallhislifeisman-madeshow,
andeverythingaroundhimisacopyoftherealword,,hestartsto
becollapandplanstoescape,becauhedoesn’twanttobe
an,thewholeworldis
ends,family,
evenhiswifeisallactorsandactress,butthepeoplearetheones
thatTrumantrusts,andtheyhaveemotionalboundingand
onnectionsbetweenthemodel-like
tmodernists,thecreated
Baudrillardsaid,therealisnotinaccessible,butmoreandmore
artificial.
2.2AboutthedirectorandhisUtopia
Chritof,themanplaysasJesusChrist,thegreatdirectorofthe
show,istiredofthehypocriticalperformingintraditionalfilmsand
entstotheaudienceadramawithout
script,whichisconstructedaccordingtotheidealrealworldmodel
oticedthatpeopletodaycannotdistinguishthe
boundarybetweentherealandtheunrealinthesociety,sohegets
suchidea,stence,showsthat
inthemodernsociety,withthedevelopmentoftechnology,the
disminationofmanufacturingtechnologyaboutknowledge,
Informationandsymbolwillinevitablysubmergetheboundary
betweenrealityandfancy,whichresultingintheemergeamodel
ldhecreatedisaUtopia,andheplungeshimlfinit
andbetouchedbyhisown“Shakespeare”.
Whenpeoplequestionedaboutwhatheisdong,hesaid“I
ld,the
placeyoulivein,isthesickplaceSeaheavenistheworldshould
be.”Chritofisapostmodernists,heclearlysawthatthecommunity
hasbeencoveredbymassreplicasproducedbymassmedia,the
copieshaveproducedanaestheticfatigue,madethemUnbearable
onsidershisworkasrebuildingreality,butTruman’s
thesametimeshowsthatin
postmodernsociety,realityisinaccessible,andChritof’sUtopiacan
notbereachable.
2.2Abouttheaudience’sfeelingandtheirlife
Inmodernsociety,thepublicmayhavealreadyfeltthefactthat
theyarenolongerthesubjectofthesociety;howevertheyare
adcastoftheTrumanshowisaliveshow,
y
Lifeshows
someprivacythattheyusuallycannotreachto,sotheypreferto
ostmodernistsputit,“thepublicknow
theyknownothing,sotheydonotwanttoknow;Peopleknowthey
candonothing,sotheydonotwanttodo”.Peopletendtoaccept
whattheye,theychoosilence.
ehappyabout
Trumann’shappinessandanxiousandfearfulabouthissufferings.
hefinallygotoutoftheboundarydoorbetweentherealandthe
unreal,sthattheirfatesarebound
together,’sleave
givesthemhopetofightwiththehyper-realityworld.
However,whattheaudiencemaynotnoticeisthat,what
Trumanhavedoneisnotleavebutgetintoanotherso-calledreal
world,thepublic’’sehowrealtheirworldis:
AftertheglobalTVcead,televisionviewerscheeringas
Trumanintotherealworld,whattheycoulddorightnowisto
changethechannel,havealookatwhatotherTVprogramstheycan
have.
Underthecontrolofthemodernmedia,humanisdoomedto
havenowaytogetridofthehyper-reallife;theyhavealready
acceptedtherealitythattheywerepowerless,giveupandlaughat
theindependentpowertheycouldkeep.
sion
Wecansaythat,thisfilmtheTrumanshowisaverygood
rn
society,thereisnoreal,onlyhyper-reality,mostpeopleinthis
situationremainedsilent,andtheoccasionalresistances(suchasthe
protestactivistsofpostmodernists)justlikeTruman’sfinalending,
onlymovingfromasmallstudiotogoanothergreattheater.
Bibliography
[1]losophicaltrendsofwesternpostmodernismofTianjin
TianjinPeople:[M].Press,2003:324.
[2]Best,Knell,ZhangZhibin,derntheory:criticalquestioning[M].
Beijing:CentralCompilationandTranslationPress,1999
AnappreciationabouttheTrumanshow
Fromtheperspectiveofpost-modernviewofreality
Contents
Abstract
uction
1.1Post-modernism&hyper-reality
1.2AbouttheTrumanshow
er-realityintheshow
2.1AboutTrumanandhislife
2.2AboutthedirectorandhisUtopia
2.2Abouttheaudience’sfeelingandtheirlife
sion
Bibliography
辅修英语《影视欣赏》课程论文
题目:AnappreciationabouttheTrumanshow
Fromtheperspectiveofpost-modernviewofreality
从后现代主义真实观的角度对电影《楚门的世界》的赏析
学院:Theschoolofsociology社会学院
专业:Socialwork社会工作
学生姓名:钱梦琴(2009211517)
完成日期:2012年5月26日
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