Westernartappreciation
Artappreciationteachingaimstoimprovestudents'aesthetic
abilityandartconnotationandstyleofappreciation,isindispensable
rtappreciationteaching,
teachingreceivedmoreappreciationmethodapplicationisboundtomake
abettereffect.
HereIcompareappreciationmethodcompareappreciationunderthe
stlongitudinallectdifferent
periodsofartworks.
AncientGreekarthistoryareusuallydividedintoHomerperiod,
ancienttimes,theclassicperiod,atures:
ideal,conci,emphasizecommonality,
period(12-centuryb.c.)istheGreekmythformation,isalsothe
teristicgeometriclinesstyle
ceramicpha,modellingissimple,sizeisdiffer,udtoworship
riodisalsoknownas"afewstyleperiod".
Ancienttimes(centuryBC)
periodmainlypaintings,architectureandsculptureartachievement.
Paintingthreestyles:Orientalstyle,blackpaintingstyle,red
alstyle,animalheadpersonlike,plantpattern
ckpaintingstyleisthemainbodycharacterpainted
black,backgroundkeepclayochre,maketheimagecontouris
outstanding,masterpiece"Achillesandson",nthe
backgroundtoblackpaintingstyle,leavingthebodyochre,detail
threadtoportraycharacters.
Construction:pieceofanginaAthenatemple,
ing:specialpointisinastate
ofpositiveverticalstiffnesscharacters,allwiththesamesmileon
face,knownas"antiquesmiles".Masterpiececalvesofman"(3)the
classicalperiod(centuryBC)Greekartbuildingboom:theancientcult
periodofwaipillarconstructionbegantoformthepartsofafixed
formatandproportion,theoveralltrendisconciandreasonable.
Masterpiece,thecultofDavidbuildings,includingthegate,he
agriculturaltemple,temple,Creontemplebuildings,suchasthemain
buildingisdedicatedtoAthenaGoddess"heagriculturetemple","Iraq
croontemple"aslimbeautifulioniacolumntype,itssouthsidehas
agroupofcaryatids,postureislightsome,zhuangimageend,noload
ing:therealisticandtheidealofthehumanbody,
hasreachedtheperiodofGreeksculpturedingsheng,millon,
masterpiece"discoboluschangedsculptureuprightintheprogram.
Phidias,workcharacteristicstocreatetheimageofelegant,quiet,
piecestatue
ofAthena,thefates"waveofthetester,masterpiece"thelotusspear
withmoreaspects,intheformofexploration,emphasizethe
infreyhasthecnidusfuthebottom
oDE"ShiKePerth,workcharacteristicsconveysakindofinternal
piecemourinhobei"statueoffacial
expressionsandmovementstoexpressthecharacter'sdespair,
Persian,masterpiece"Heracolumn,"showsintherestofthehero,
muscledevelopedbodycomparedwithfacialexpressionformof
meditation.
Thehellenisticperiod(centuryBC)artachievementMainlycarving,
thegoddessofvictory,asamoyedThracetostretchingandrotating
movement,vividnaturalposture,thewindblowingYiWenshowwinners
svolumefeelingofthespaceandhassoftand
tEgyptianartcharacteristics.
Strengthentheimperialpowerofthehierarchicalandrviceand
religiousspiritofmutualpenetrationofthesoul,constitutethe
ellingofrational
factorscombinedwithfixedprogramrulesEmphasisongeometricform
neat,ess,grand,stately,
clearandconcistyleofart,thechildrenandthegooshowed
erthpathetique
manceofthediluteddefeated
thestubborn,pain,afterdyingGaul,themankilledhiswifecommitted
suicideafterGaul.
RhodeIsland"raohole",showsthepainthetragiccharactersin
theplottwistandstruggle."Sphinx"showsthesuperbartistryof
ancientEgyptsculptors."Goddessofpaintedpottery"giveaperson
uremodellingfreedomis
boldandunrestrained,overallmodelling,artisticlanguagesuccinct
summary,boldandgivedetailsofallthehumanbody,simpletomeet
almostabstract.
ThelpopularizationSuacknowledgeshiswife'sBuddhashownas
"softchange,istheancientkingdomofaestheticidealmodelwork.
Thekingandprincess","villageheadlike"focusonlifeformof
realism."Secretary",thisstatueposturemovementandtheexpression
delingrealistic,thecharacterof
thestructureoftheprocessingarenottrivial,thisisthefifth
n,thesteleofhighlydecorative,
shelike
statuessculptureisthemostbeautifulwomaninthehistoryofthe
world,oneoftherealistictechniquecanreachhighspurious."The
templerelief"isthegoddessfortheircountryTwofoldcrownkingput
onaboutthemeaningof"divineright".Relieffollowsthetraditional
modelingmethod,thethincoattightlywrappedbody,showthebeautiful
:pragmatism,enjoyment,stress
individualcharacter,amagnificentluxurymainachievementsin
architecture,sculpture,inheritingthetraditionofancientGreece
andcreativeconstruction:thepantheon,ChloeSIMSarena,degreesof
thearcDEtriomphe,thearcDEtriompheConstantine,reallymonumental
pillarsculpture:"augustuswantedto"theNerolikethecaracallalike
"lightlystatues"masterpiece"colossi"thefemaleWolf
"couplesonpotterycoffins".
LaurentDEraiHector(1606-1656)
RaiHectorwasborninParis,lifelongyearningtostudyabroadin
Italy,buthewasnot,onlywiththeaidofFrancetostudylearning
Italianartcollection.
RaiHectorveryworshipofVenetianmastertitianandverone
colour,isfamiliarwiththestyleofstyledoctrineandcaravaggio,
asimple,brushworkhistorypaintingpainters,orawonderfulreality
ace
oftheinfluenceoftheItalianart,heandhiscontemporariesto
createconformtotheFrenchnationaltraditionofpainting.
RaiHector'sreprentativeworkisthepeaceofWestphalia,we
drawfromtheancientcharactercostumesandancientenvironment
configuration,mainlyemphasizedthesolemnimages,theprincipleof
rationality,elegance,certainlybelongstotheFrenchclassicismpie.
Lorraineinpaintingtalentcanbesaidtobelf-taught,hehad
noeducation,soheisnotregularandtheliteratipainters,some
peoplesaythathedidn'tevenilliterate,atbest,isarealperson
then,rtheperson
thenisamasteroflyricofgenius,thegreatpoetofmodern
civilization.
Fromthesceneryofadancer,wecanethelorraineartesnce:
pictureverylowhorizon,andemitlightfromthesky,theriver
nourishedfarmland,onbothsidesoftheancienttowering,deeprich
backlightplace,fragrant,grassundertheirradiationoflightinthe
sky,thefarmingpeopleplaying
merrilyontheBanksoftheriverdance,theornamentxcharacter,
hejoyofthedancersmakepeaceful
natureisfullofthevitalityoflife,itisapastorallyricpoems.
Painterpenexquisitebutnotdull,colorrichbutnotgreasy.
Inhispaintinglyricalimageisbuiltonpreciskillfulpainting
techniques,everythingheudoilpaintingtechniquegetnaturallight
effectively"into"screen,hisskillsmadeupforhislackof
accomplishment,thisaspectforlatergenerations.
Westernartplenty,needustostudycarefully,andthentheirown
inspiration.
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