《水仙花》
(飞白译)
我孤独地漫游,像一朵云
在山丘和谷地上飘荡,
忽然间我看见一群
金色的水仙花迎春开放,
在树荫下,在湖水边,
迎着微风起舞翩翩。
连绵不绝,如繁星灿烂,
在银河里闪闪发光,
它们沿着湖湾的边缘
延伸成无穷无尽的一行;
我一眼看见了一万朵,
在欢舞之中起伏颠簸。
粼粼波光也在跳着舞,
水仙的欢欣却胜过水波;
与这样快活的伴侣为伍,
诗人怎能不满心欢乐!
我久久凝望,却想象不到
这奇景赋予我多少财宝,——
每当我躺在床上不眠,
或心神空茫,或默默沉思,
它们常在心灵中闪现,
那是孤独之中的福祉;
于是我的心便涨满幸福,
和水仙一同翩翩起舞。
雪莱:西风颂
1
哦,狂暴的西风,秋之生命的呼吸!
你无形,但枯死的落叶被你横扫,
有如鬼魅碰到了巫师,纷纷逃避:
黄的,黑的,灰的,红得像患肺痨,
呵,重染疫疠的一群:西风呵,是你
以车驾把有翼的种子催送到
黑暗的冬床上,它们就躺在那里,
像是墓中的死穴,冰冷,深藏,低贱,
直等到春天,你碧空的姊妹吹起
她的喇叭,在沉睡的大地上响遍,
(唤出嫩芽,象羊群一样,觅食空中)
将色和香充满了山峰和平原。
不羁的精灵呵,你无处不远行;
破坏者兼保护者:听吧,你且聆听!
2
没入你的急流,当高空一片混乱,
流云象大地的枯叶一样被撕扯
脱离天空和海洋的纠缠的枝干。
成为雨和电的使者:它们飘落
在你的磅礴之气的蔚蓝的波面,
有如狂女的飘扬的头发在闪烁,
从天穹的最遥远而模糊的边沿
直抵九霄的中天,到处都在摇曳
欲来雷雨的卷发,对濒死的一年
你唱出了葬歌,而这密集的黑夜
将成为它广大墓陵的一座圆顶,
里面正有你的万钧之力的凝结;
那是你的浑然之气,从它会迸涌
黑色的雨,冰雹和火焰:哦,你听!
3
是你,你将蓝色的地中海唤醒,
而它曾经昏睡了一整个夏天,
被澄澈水流的回旋催眠入梦,
就在巴亚海湾的一个浮石岛边,
它梦见了古老的宫殿和楼阁
在水天辉映的波影里抖颤,
而且都生满青苔、开满花朵,
那芬芳真迷人欲醉!呵,为了给你
让一条路,大西洋的汹涌的浪波
把自己向两边劈开,而深在渊底
那海洋中的花草和泥污的森林
虽然枝叶扶疏,却没有精力;
听到你的声音,它们已吓得发青:
一边颤栗,一边自动萎缩:哦,你听!
4
哎,假如我是一片枯叶被你浮起,
假如我是能和你飞跑的云雾,
是一个波浪,和你的威力同喘息,
假如我分有你的脉搏,仅仅不如
你那么自由,哦,无法约束的生命!
假如我能像在少年时,凌风而舞
便成了你的伴侣,悠游天空
(因为呵,那时候,要想追你上云霄,
似乎并非梦幻),我就不致像如今
这样焦躁地要和你争相祈祷。
哦,举起我吧,当我是水波、树叶、浮云!
我跌在生活底荆棘上,我流血了!
这被岁月的重轭所制服的生命
原是和你一样:骄傲、轻捷而不驯。
5
把我当作你的竖琴吧,有如树林:
尽管我的叶落了,那有什么关系!
你巨大的合奏所振起的音乐
将染有树林和我的深邃的秋意:
虽忧伤而甜蜜。呵,但愿你给予我
狂暴的精神!奋勇者呵,让我们合一!
请把我枯死的思想向世界吹落,
让它像枯叶一样促成新的生命!
哦,请听从这一篇符咒似的诗歌,
就把我的话语,像是灰烬和火星
从还未熄灭的炉火向人间播散!
让预言的喇叭通过我的嘴唇
把昏睡的大地唤醒吧!要是冬天
已经来了,西风呵,春日怎能遥远?
1819年
查良铮译
IWanderedLonelyasaCloud
Iwanderedlonelyasacloud
Thatfloatsonhigho'ervalesandhills,
WhenallatonceIsawacrowd,
Ahost,ofgoldendaffodils;
Besidethelake,beneaththetrees,
Flutteringanddancinginthebreeze.
Continuousasthestarsthatshine
Andtwinkleonthemilkyway,
Theystretchedinnever-endingline
Alongthemarginofabay:
TenthousandsawIataglance,
Tossingtheirheadsinsprightlydance.
Thewavesbesidethemdanced;butthey
Out-didthesparklingwavesinglee:
Apoetcouldnotbutbegay,
Insuchajocundcompany:
Igazed---andgazed---butlittlethought
Whatwealththeshowtomehadbrought:
Foroft,whenonmycouchIlie
Invacantorinpensivemood,
Theyflashuponthatinwardeye
Whichistheblissofsolitude;
Andthenmyheartwithpleasurefills,
Anddanceswiththedaffodils.
WilliamWordsworth
IWANDEREDLONELYASACLOUD
WrittenatTown-end,fodilsgrewand
stillgrowonthemarginofUllswaterandprobablymaybe
entothisdayasbeautifulinthemonthofMarch,nodding
theirgoldenheadsbesidethedancingandfoamingwaves.
–WilliamWordsworth,1804
IWANDEREDlonelyasacloud
Thatfloatsonhigho'ervalesandhills,
WhenallatonceIsawacrowd,
Ahost,ofgoldendaffodils;
Besidethelake,beneaththetrees,5
Flutteringanddancinginthebreeze.
Continuousasthestarsthatshine
Andtwinkleonthemilkyway,
Theystretchedinnever-endingline
Alongthemarginofabay:10
TenthousandsawIataglance,
Tossingtheirheadsinsprightlydance.
Thewavesbesidethemdanced;butthey
Out-didthesparklingwavesinglee:
Apoetcouldnotbutbegay,15
Insuchajocundcompany:
Igazed-andgazed-butlittlethought
Whatwealththeshowtomehadbrought:
Foroft,whenonmycouchIlie
Invacantorinpensivemood,20
Theyflashuponthatinwardeye
Whichistheblissofsolitude;
Andthenmyheartwithpleasurefills,
Anddanceswiththedaffodils.
-WilliamWordsworth,1804
WilliamWordsworth’s“IWanderedasLonelyasaCloud”openswiththenarratordescribinghisactionofwalkinginastate
ofworldlydetachment;hiswandering“Aslonelyasacloud/Thatfloatsonhigho'ervalesandhills,”(1-2).Whatheis
thinkingofweneverreallyuncover,buthisdescriptionleavesustoanalyzehiswordsasasortof“headintheclouds”
daydream-likestatewherehisthoughtsarefaraway,unconcernedwiththeimmediatecircumstancesinwhichhefindshimlf.
Wordsworth,evertheRomanticist,perhapsusthetwointroductorylinestodescribethedisconnectedanddispassionate
waysthatweallliveourlives;walkingthroughlifeinahazeofdailyritualandmonotonousdistractionsinapointlessand
spirituallydisinterestedstatewherewefailamotionalcreaturestoappreciatethequietbeautiesoflifethatweashuman
mWordsworth’s“lonelycloud”isourownprivateimpersonalperceptionofthe
world,floatingmilesaboveitandmissingthequietvirtuesofnature,beauty,andothersourcesofemotionalnourishment.
AsWilliamWordsworth’snarratoriswalking,henotices“Ahost,ofgoldendaffodils;…Flutteringanddancinginthebreeze.”
(4and6).Wordsworthgoesontodescribethe“goldendaffodils”asavastplotofswayingflowersaroundthefringesofa
bay,outdoingthebeautyoftheocean’bingthedaffodilsforthenextveral
lines,Wordsworthhelpsustovisualizewhathehimlfhasenandwassomovedby;“Tossingtheirheadsinsprightly
dance./Thewavesbesidethemdanced;butthey/Out-didthesparklingwavesinglee”(12-14).Thelight-hearted
daffodils,weavinginunisonwitheachotherinthewind,haveromanticallytouchedWordsworth,theirnaturalbeauty
reachinghiminwaysthathedescribesasnotfullyunderstandinguntillater:“Apoetcouldnotbutbegay,/Insuchajocund
company:/Igazed-andgazed-butlittlethought/Whatwealththeshowtomehadbrought:”(15-18).
ItisherethatyourhumblewritercannothelpbutrememberoneofWilliamWordsworth’arlierpoemsthathehadwritten
mWordsworth’s“LinesWritteninEarlySpring”(1798)rvesthereaderinmuchthesamewayas
Wordsworth’s“IWanderedLonelyasaCloud”,inthathisnarratordrawsinspirationfromnature’sbeautytoexperiencea
atdifference,however,between
Wordsworth’s“LinesWritteninEarlySpring”and“IWanderedLonelyasaCloud”isthatin“LinesWritteninEarlySpring”
naturesbeautyinducesinWordsworthadeepandpowerfulmourningforhowmankindhaspervertedhisownnatureinhis
thenmodernsociety,whereas“LinesWritteninEarlySpring”invigoratesWordsworth’snarratorwiththementalimageryof
thedaffodils.
Mostimportantly,inbothpoemsWothe
samewaythatmostreaderscanrelate,Wordsworth’snarratorin“LinesWritteninEarlySpring”,uponhavingafewmoments
tothinktohimlf,lapsintoadepresdstatefromhisownquietthoughts:“WhileinagroveIsatereclined,/Inthat
sweetmoodwhenpleasantthoughts/Bringsadthoughtstothemind.”(WilliamWordsworth’s“LinesWritteninEarly
Spring”,1798,lines2-4.).InWordsworth’s“IWanderedLonelyasaCloud”hisnarratorreciprocally,uponrelaxingona
couchinquietcontemplation,ilatedandpleasantlyentertainedbythethoughtsofthedaffodilsdancinginhismemory:
“whenonmycouchIlie/Invacantorinpensivemood,/Theyflashuponthatinwardeye/Whichistheblissofsolitude;/
Andthenmyheartwithpleasurefills,/Anddanceswiththedaffodils.”(19-24).Wordsworth’snarratorin“IWanderedLonely
asaCloud”isnotgrievedby“Whatmanhasmadeofman”(WilliamWordsworth’s“LinesWritteninEarlySpring”,1798,
line8.)butcontentedandnear-tickledbyhisreminiscenceofthegolden,light-heartedbeautyofthedaffodils.
Amessagecanbesodrawnfromthiscontrast,whetherWilliamWordsworthintendeditornot,inaPost-Moderndisction
andpersonalinterpretationofathemethatholdsasmuchtruetothecannonofRomanticismastoWordsworth’sownpersonal
sthepopulartitleforWordsworth’s“IWanderedLonelyasaCloud”,“Daffodils”,finds,initlf,the
fodilsare,aswellaswhatWordsworthwouldhaveintended,natural
beauty;thetranquiloccurrencesofluckyhappenstancethatweexperienceandcarrywithusinourproverbialheartsas
,manyreadersskimmedWordsworth’sdescriptionofthedaffodilsand
quicklyspurneditasa“Romanticblubber”sstosay,however,Wordsworthbelieves,asdoesyourhumble
writer,thatanyhumanbeingposssingasoulandbeatingheartwouldfindthemlvesdeeplytouchedbythesceneofa
thousand-foldhostofyellowdaffodilsswayinginthebreezeagainstthebackdropofwavesbreakingagainsttherocksofabay.
Thismentalimage,otherwimisdbythocaughtupintheirdailybustleandcontemporarydistractions,their“wandering
lonelyasclouds”sotospeak,iswhat
slowdown,justenough,wemaycatchbythewaysideofourwanderingsaspiritualcreaturethatcouldrveusasapleasant
mentalimageorperhapvenasameaningorpurpoinlife.
InWilliamWordsworth’s“IWanderedLonelyasaCloud”,ea
symbolofnaturalbeautyand,moreimportantly,symbolizelivingalifeasrichinexperienceandnsationaswouldmakea
prent,intheirlight-hearteddance,thejoyandhappinessoflivinganadoringandfulfillinglife,
icism,apoeticphilosophythatWordsworthhimlf
engendered,findsmuchvirtueinthismeaning;thedaffodilsreachingoutandcatchingtheeyeofWordsworth’snarrator,or
perhapsWordsworthhimlf,andinspiringhimsomuchemotionally,thathewasleftwithlittlechoicethantoexpressthem
orth’snarratorof“LinesWritteninEarlySpring”struggleswithhisowninnatehumanpredisposition
towardsmelancholyinaworldwherecontemporaryhumansocietyandcivilizationhasdestroyedourconnectiontonature,
andincidentallyourownnatureaswell,butWordsworth’snarratorin“Daffodils”hastakenfromthemomentthesweet
nourishmentofspiritualmannathatwasnecessarytokeepaquietinstanceofintrospectionfromturningtodepressionand,
instead,becominganexuberantreverieofattinginmemory;“Theyflashuponthatinwardeye/Whichistheblissof
solitude;/Andthenmyheartwithpleasurefills,/Anddanceswiththedaffodils.”(21-24).
WilliamWordsworth’s“IWanderedLonelyasaCloud”or“Daffodils”isadeepandmovingworkofpoetrythatundera
deceivinglysimpleexteriorcouldpossiblybe,underenergeticdisction,arguedasoneofWordsworth’sgreatestworksof
ingtruetoRomanticism’sphilosophyofembracingnotonlynaturebutthecarefulexpressionofthe
poet’motionsthroughartandhownaturecansodeeplyaffectit,Wordsworth,infoursimplestanzasifimagery,could,
perhaps,ulartitleforWordsworth’s“IWanderedLonelyasa
Cloud”,“Daffodils”,hasinasinglewordsummedanentireliteraryphilosophy.
IWanderedLonelyasaCloud两篇赏析
1“IWanderedLonelyasaCloud”waswrittenbyWilliamWordsworth,
greatpoetofnature,WilliamWordsworthwasthefirsttofindwordsforthemostelementarynsationsofmanfacetoface
ensationsareuniversalandoldbut,onceexpresdinhispoetry,becomecharmingly
plovefornaturerunsthroughshortlyricssuchas“IWanderedLonelyasaCloud”
2“IWanderedLonelyasaCloud”spureandpoeticlanguage,Wordsworthbringsusintoa
beautifulworldwheretherearedaffodils,ehis
melancholywhenhe“wanderedlonelyasacloud”andhisdelightthemomenthisheart“withpleasurefills”.Wecometo
realizethegreatpowerofnaturethatmayinfluenceourlifedeeplyasrevealedinthepoem.
赏析:
“IWanderedLonelyasaCloud”hdescribingasceneofjoyfuldaffodilsrecollectedinmemory,
thepoethopestoputillustratehistheoryofpoeticinspiration---“spontaneousoverflowofpowerfulfeelings,whichoriginate
sinemotionrecollectedintranquility”
Withhispureandpoeticlanguage,Wordsworthbringsusintoabeautifulworldwheretherearedaffodils,treesandbreeze.W
ehismelancholywhenhe“wanderedlonelyasacloud”andhisdelightt
hemomenthisheart“withpleasurefills”.Wecometorealizethegreatpowerofnaturethatmayinfluenceourlifedeeplyasr
evealedinthepoem.
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