Conversation1
sthestudentsaythis
ectamisunderstanding
ogizeforinterruptingtheman
kthemanfortheinformationhehasprovided
hersurpriatwhatthemanjustsaid
sthestudentgotothehousingoffice?
estatelephoneforherdormitoryroom
inthekeytoherdormitoryroom
boutanunexpectedbillshereceived
estanexplanationaboutabillshehadalreadypaid
stakedidthestudentmake?
gottopayherhousingfee
notcancelhertelephonervice
ledtocleanoutherdormitoryroom
gottoreturnherdormitorykeytothehousingoffice
esthemanimplyaboutthestudentwithregardtohercontractfortelephone
rvice?
dentneedstoshowhimthecontract
dentfailedtopickupacopyofthecontractfromthehousingoffice
dentforgottosignacopyofthecontract
dentdidnotreadthecontractcarefully
esthemanimplyaboutthetelephonebill?
thavebeennttothestudentbymistake
elargerthanthestudentexpects
dentmayneedtopayit
dentshouldnditbacktothetelephonecompany
Lecture1
estheprofessorimplywhenshesaysthis
gupairmaynotbeasimportantafunctionasmanyscientistsbelieve
-bloodedanimalsmayuadifferentmechanismfromwarm-bloodedanimals
ssiblethatdinosaurshadanotherwaytowarmupairtheybreathed
-bloodeddinosaurswereprobablyverydifferentfromwarm-bloodedanimals
today
themainpurpoofthelecture?
ainthedifferencesbetweendinosaursandmodern-dayanimals
entevidenceforatheorythatdinosaurswerewarm-blooded
ribethebodystructuresofrecentlydiscovereddinosaurs
arethefossilsofwarm-andcold-bloodeddinosaurs
ingtotheprofessor,whydoes
thissupportthetheorythatdinosaurswerewarm-blooded?
rspreventeddinosaurs'bodyheatfromescaping
rsshowthatdinosaurswerecapableofflight
ursandbirdsdescendedfromthesameevolutionaryancestor
ursudfeatherstoabsorbheatfromthesun’srays
estheprofessorimplyaboutregionsthatnowhavearcticclimates?
nprobablysupportbothwarm-andcold-bloodedmodernanimals
ghthavebeenwarmerinthepastthantheyarenow
eareasinwhichdinosaurswereneverabletolive
egoodsourcesoffossilsoffeathereddinosaurs
stheprofessormentionostriches?
toutthatnotallbirdsareabletofly
evidencethatdinosaurswerecold-blooded
thatnotallbirdshaverespiratoryturbinates
anexampleofananimalwithuprightposture
theprofessor'sopinionofthetheorythatdinosaurswerewarm-blooded?
ngedourunderstandingoftheterm“warm-blooded"
yearsagoitwasnotconvincing,buttodaymostevidencesupportsit
smoreevidenceinordertobeconvincing
theevidencewehavesupportsadifferenttheory
Lecture2
stheprofessorsaythis
ehowshefeltaboutnegativeexperiencesinherownlife
catehowpeoplenormallyfeelunderchallengingcircumstances
estaquestionthatleadstoadeeperunderstandingofonelf
strateanimportantconceptbydescribingitsopposite
themainpurpoofthelecture?
usstherelationshipbetweenaperson’spersonalityandhisorherage
ribeatofpersonalitytraitsthatarehelpfulindealingwithproblems
ainrecentfindingsaboutpersonalityformation
ribesomepersonalitytraitsthataremainlygeneticinnature
stheprofessormentiononlinecoursbeingofferedbythepsychology
department?
anexampleofaproblemfacedbythepsychologydepartment
rasttwowaysofrespondingtoachallenge
toutthatonlinecourscanleadtoacareerinhealthpsychology
uragestudentstoregisterforcours
intdoestheprofessormakeaboutnaturalmentors?
eusuallyparents
notnecessarilyhaveresilientpersonalities
peartobebornwithresilientpersonalitytraits
nhelpyoungpeopledealwithnegativesituations
ingtotheprofessor,howdothedemandsofworkingataregularjobaffecta
person?
tentestaperson'sresilience.
nleadtopositivepersonalitychange
yleadapersontochangejobsfrequently
ovideperfectionistswithopportunitiesforjobsatisfaction
ingtotheprofessor,whatcanpeopledotobecomemoreresilient?Clickon2
answers
awareoftheirpositiveandnegativepersonalitytraits
onlinepsychologycour
ersforhelp
ettinggoalsthatareoverlyambitious
Conversation2
stheprofessorsaythis
ectamistakeinthecoursyllabus
rethestudentthattheclasswilldiscusstheplayshelikes
ctthestudent’sobjectionconcerningthereadingassignments
catethatsheunderstandswhythestudentisconfud
sthestudentgotoetheprofessor?
estasuggestionforthetopicofhisfirstpaper
questionaboutthehistoryofdrama
lainthatacourisnotmeetinghixpectations
outofacourtheprofessoristeaching
aviewexpresdbythestudentaboutearlyandmid-twentieth-century
playwrights?
orkswerequiteconventional
laysareoftenverysimilartooneanother
danegativeinfluenceoncontemporarywriters
orkshavebecomeoutdated
stheprofessormentionMamet'splayTheCryptogram?
thatMamet’slanguageandrhythmareoriginalandunique
anexampleofearlierplaywrights’influenceonMamet
stratethedifferencebetweenmodernandcontemporaryplays
ethatMamet'splaysarenottypicallymodern
theprofessor'ssuggestionforthestudent’sfirstpaper?
ycomparingtwoplaysbyChekhov
onplayswrittenbyplaywrightsfromdifferenttimeperiods
yfocusingonthecharacteristicsofcontemporarydrama
onTheCryptogramanditsinfluenceoncontemporaryplaywrights
Lecture3
stheprofessorsaythis
eparingtochangethetopic
notwantthestudentstointerrupthim
outtocontradictwhathejustsaid
sthatfurtherexplanationisnecessary
thelecturemainlyabout?
iptionofthefirsttechniqueudtoachieveperspectiveinart
luenceofthree-dimensionaltdesignonthestoriestoldinRenaissanceplays
elopmentanduofperspectiveintheatertdesign
luenceofnewconstructionmaterialsontheatertdesign
stheprofessormentionapictureofaroad?
ribetypicalRenaissancetheatertdecoration
stratehowtheillusionofdepthcanbeachieved
ainhowthechariot-and-polesystemworks
ainwhythree-dimensionalimagesaredifficulttocreate
mitationdidangledwingshelptoovercome?
rshadalimitednumberofatsthatofferedagoodviewofthestage.
rstageshadalimitednumberofplacesfromwhichactorscouldenterascene.
rstageshadlimitedspaceforwhichpainterscouldcreatewings
rshadlimitedskillsinreprentingperspectiveinpaintings
sanadvantageofflatwingsoverangledwings?
ngscouldbeudonsmallerstages.
ngswereeasiertochange
ngsweremadeofalighter-weightmaterial
ngscouldbeviewedbetterbytheaudience
theinventionofthechariot-and-polesystemchangetheaterproductions?
eoplewereneededtocompletetchanges
ignscoulduagreaternumberofwingsperproduction
gledandflatwingscouldbeudinthesameproduction.
uldconveytheillusionofdepthwithouttheneedforskilledpainters
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